The reading of my newest play, Directive 47, at New Rep is in less than two weeks. I have no idea how it came up on me so quickly. I still have SO. MUCH. REVISING. to do between now and June 9, when the reading begins at 2pm.
This is the play I blogged about months ago, the one inspired by the true story of a nun who was excommunicated for allowing an abortion to be performed at the Catholic hospital she worked at. It’s come a long way since I last mentioned it in the blog, but it’s still nowhere near where I’d like it to be this close to a reading going up.
It took me till a few weeks ago, during a meeting with my writing group, to realize that I was basically writing another family play (is that all I know how to write?). That what felt lacking to me, and why I kept walking away from table reads with the thought of “this play is to talky,” was that the characters are basically a little family, but they’re not really acting like one right now. The plot has been there, but the characters have been sort of too bogged down by it instead of caught up with each other. Which is the exact total opposite of how The Prayer Bargain developed. In that play, the characters were there and present almost from the very beginning, but the plot sort of stumbled its way into existence. It’s weird how writing works sometimes.
But right now I should be working on my latest revision instead of blogging about how I should be working on it. Last week, I met with both Ben Evett, my reading director, and Bridget O’Leary, the head of our New Voices @ New Rep program, and I feel good about the changes that need to be made. I just need to sit down and make them. New draft, coming soon!